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A lovin/g f๐๐#il๐คค๐คฉm tribute to Ru ]ssian filmmaker Larisa ;๐คจ #S)๐ ๐;hepitko, wh๐๐ค๐o died tragically in ๐คซ๐คฉa car acc๐ด๐id๐๐ฌ(_en๐คฉ๐คt in๐๐ฌ 19[`๐คข๐ 79 ๐๐at the age of 4๐๐๐0.๐๐ ๐๐คญ)+This doc๐๐u๐ด-๐ฌ๐ mentary๐๐# by he๐คฎ๐คr husb๐๐ฅฐa๐๐๐ nd, Elem Klimov,๐ถ๐คซ๐`๐คฅ ๐คค๐คข๐๐in[๐๐\cludes ex๐ค+-๐ฌ๐ทcerpts from all of Shepitko's films, and h;er ow๐คช๐ ๐คชn voice!_๐ ๐ถ๐is hea๐.rd ๐๐คฉ๐talking a๐๐คญbout๐ h๐ฅฐ*er )๐.li]๐คญ๐๐คจfe a๐คฅ๐๐คn]๐ ?๐ชd art.ใ๐ช๐^ใ๐๐Ele ๐m ๐๐Klimov'๐๐ค(๐คซs gri๐๐,ef๐ท_-st(๐=๐ถri๐ค ๐@cke๐คญ๐คn elegy Larisa๐ ex)@amin๐๐๐es the life of hi๐๐๐s late+๐๐คซ wife;๐%โt๐๐ฅฐ๐คขhe film director Larisa Shepitkoโthrou๐ถ ๐๐gh a ๐ค๐seri ๐คฎe๐๐ s๐[ of direc_๐ค,๐t๐๐คฉ-address interviews and๐๐๐ท photo๐,montag๐ค๐คซes, set ๐๐คฎ๐คฎ๐a๐gainst๐ ๐คฎ๐๐ a๐คข๐ mournful v๐^๐is`=๐คชual$-m๐คฃ๐คฅ๐ถ?usic๐ค๐๐ al back=$dr#];op. Typic๐คซ๐ally, Kli๐คญ๐๐คข๐คญ๐คคmov`๐ค f-๐ilm๐ค๐คฎ๐คs his subje๐๐คฎct ๐คค๐คช`๐s (which๐ include himse๐๐ท`lf an?๐d severa*[.l ๐คช๐คซ๐๐of๐ท Shepitko'๐ค๐คค๐คs*\ co;๐๐lla๐คจ,๐๐ถbora ๐คค!๐คฉtors) within a stark, sn๐๐;๐คซow-cov๐!,$๐คชered forest, its tangled ๐ช๐ค๐web of trees st๐!anding in as metaphorical๐ re%p๐@`๐r๐ท๐ค๐esentation of a perh`๐= aps;๐ inexpres๐๐s:๐๐คคi๐+ble#๐คข/๐ suf๐คฉ*๐ฅฐ๐คคfering, th#e resul๐๐คt of Shepitko's pr@-%๐emature d-$๐คeath whi๐le filming her adap =(tation of Valentin Ras๐ค๐คญ๐putin's n๐ด๐๐คค๐ovella Farewell ,๐๐ _๐ค+to Matyora. I๐*nterweaving ๐๐ค๐๐คชhome movie foota/g๐คฅ๐ค๐e w*๐ชith sequ๐%_ences from Shepitko's w;๐or^๐๐ถk (Maya B๐ท]ulgakova's pen๐คฉ@๐ฅฐsive$#๐๐ plane crash re\๐คminiscence ๐ฌ๐คฅf๐ค;๐๐r)๐๐คฎom Wings takes on several _ne?$w l+๐๐ayers๐๐ช of r๐๐๐คขeson๐คฎ๐คฃance in +th๐ช๐is con๐๐@๐tex๐๐t), Larisa's most pow/๐erful passa๐๐ge i๐๐๐๐ค๐คs !-its๐๐ first accompanied by the g๐๐๐ran๐คฉ๐diose,๐๐ final๐คฉ๐คฎ/๐คฉ music cue ๐๐from,[.๐ค; Sh๐คฎ ,epitko's Yo๐) u ๐ ๐คชand ๐ด\I, Klim๐๐ค ov disso๐lves between๐ a series of๐๐*! p:` ersonal photographs_๐ค$๐^ ๐คฎ๐คtha๐๐ฅฐ๐คญ๐[t en๐ฅฐcompas๐๐คฎ๐ค๐s Larisa'๐ด๐คชs entire life, )$from birth๐ค๐ to dea๐คซ๐คคth. ๐)๐คขT_!his brief sym๐๐phony o๐ช๐คฃ๐ ๐ชf sor๐คฉ๐row๐คจ; a๐@n(ticipates๐๐ค๐ ๐ค๐ the cat=๐hartic ๐๐r๐๐ever$๐๐คข_๐se-motion-๐ด๐ ๐คฎ climax of Klim๐คญ๐ov-๐๐คจ's :๐คCo[๐ฅฐ/me and .See, though by placing the scene fir๐คซ๐ค๐$st ๐๐wit-#hi+๐ค# n Larisa's =๐๐คฎch๐๐๐?ronology,๐ K%๐คl๐ฌ_^ im#ov๐๐) seems ๐๐คค๐to be ๐/!๐wor*๐ค๐ทki๐ถng agains]๐t ๐,*catha[๐ช๐๐คrsis. T๐$h๐ฌ:๐ดe pai+-๐n ๐ค)=is cl@ea๐๐rly f๐คฎ ๐๐คresh,๐คฉ๐ค๐ ๐๐๐the wo#%und st๐๐ill๐ท๐๐ fes๐๐คtering, ๐๐ *a๐ฅฐ๐ช๐ nd Klimov wantsโa]๐*bove`๐๐ allโto captur๐ฌ`/๐e how dee_๐ทp misery's -=knif ๐(e has cut.