关于在短时😜
.间内的:_$🤣某几个人的经过

剧情简介

Voice 1 (male profes😔😝😚s 😄ion_al ann😍,o😬😇😒\u#:😒ncer type@😂 🤩😂) T😘hi🤣.s neigh[🙄)borhood(1) was made for the wretched dign!?ity of the 🤒🤢petty bourgeoisie, for r😔😑espectable]😒🙂 occup_*🤩😑atio😶[🤨😇ns😙😒? and 😍😘intellec🙄tual t😋🤐🥰ourism.😗😒😛 Th😚🤗e s🤒edenta 😅😛r😛y population of th😍+e uppe🤨+😊🤨]r =🤔:floors w😊😅😆as 😷🤥 shelte😑🤥re😙d from the🤕🤣🤥 influences of the street. This 🤕😪ne😍ighborh^
oo]😀😙😍d has remaine;😋d😝@😉 the s🤮.ame. It was th🤪🤩#e strange setting of our 😑😅@st` or😁🤢😚😏y, where [🙃a s🤤😏ystema!+😂🤤tic q😴uestion😔😑 [🤮i🤑:/🤒🤭ng of; all the/😑🤐 diversions😷]😍🥰 and.)🙃😒 wo😀rks of a so😑ciety, a ;%tota*[😙l $cri-😃=😷tique of 🤥its idea of 😃=😶😔happin🙃ess🤫, was exp😋;ressed in acts.　　T😋🤨hese people a+lso sc😇=😴orn😆🤐=ed sub🤒😄🤫jective profundity. They wer😷^😬 e inte🤕(🙄$re🤕ste🤐 d in(😶😂 nothing but an adequate and co🤕😷ncrete.` ex?++😀p%ressi😷🤫😴on of thems😋😐😜e😆🤐🤗lves.　　😄😑😁` Voice) 2 ( ,😷🤔Debor+d, mo@ 😁😶notone) Human bein(😁!gs are not full😑😁[🤣y[😅 conscious of😋🤤^[ thei😗r 😇🤕😪 r😒^eal😍😐 life 😔😙- u😂🙄😶?🤕sua*🥰😊lly groping in 🤫t😉🤤h)e😍🤪 🤒😙😏dark; o😘😜😌verwhelmed by the cons😪#.equences o[🙄^f 🥰😇;their 😏🙃acts;)` at e🤮very 😪😴m😊🤥oment groups%🤒[🤤 and in(😑div-🙂iduals😄=
😏 f🤫🤢ind!😋😅 the😘 m🙄\selv.🥰es 😄con)😒fr]o🙂😁;-n😜=🙃ted with res😌😐ults they 🤒🤫 h😂ave😛@😒 n😋😑🙄🤑ot 😌😪wi😚😙s !hed.　　Voice 😁😉😄1 The🙂😙😇y sai)d that obl😌😅ivion w🤤as^-😐 their #!😴ru😐😛ling passion.  They wanted to rein😜]🤥ve😴[nt🤒😀 🤒^everything each day; 🥰 to beco`[😒me $ 🤒the 😋 \\ mast:😁e🤔rs 🙂😴and possessors🤑🙄?😒 😅.😃of 😋😑their own😋,😇 lives😅#😷🤩.😬　　]😚😉J😋*ust😉🤫* a😛😂🤒😁s one do;!🤑🙃es not judge 😚🤪🙄a m🙂🤐🤪😶😃an /)😗^ac,cording🙄😀🤐 to the conception he🙂😇 h🤑😚😍:as o😪
(\f hi😙🤢😝$mself🤣%[🤒, 🤣one cannot judge su😘🤣(ch😋😜 peri🤢od🤒😒s of t_🤤🤒ransit[[ion ac😛🤨@😅$co😊#rding t🤮😝o 😜😚their own consci[$ous=%ness; on :🤤🤐\th🤗😆e _🤣😍contrary, one!.😛😋 mus\😍😬t ex🙂,😆plai;😪😇 n😐🤭 the 🤨🤭con;😶😴sc😃😷iousness🤑🤒😆 throu😋 😂gh t🤫😔he contradictions of mate🤒😘😶rial life, th😉🤥.ro🤥😅ug🙄!$h 😙 😇🤐the co@ *!😑nflict between social co😂😏[ndi😆)tions and the forces of social production.　🤔,　The 😜^[😍😒prog😑re#ss😛😛
achieved in 😘😷th🤢 e d😄,%=omi%[🤭😪_n😛😉😘 a😷🤔😆🤐tion of na !😊t😪😄😉ure was no_*t)🙃 \(yet matched[:[! by a corresponding_😗😇 liberation of ;😊@everyda🤤(🤤🤭y life,🤩[.. Youth passed away amon🤨
😅😄g t
😷😊h😐😬🤪😁e various c\🤭ontrols o😍+]f resignat🤔%🤗ion : .　　Our camer-a has captured 🤪😄😄😃for: ._ you a fe 😄🤪😒😝w aspect_😑😇s😚🤭 o😃😇f a p(🤨😝@ro😃\😪😀visional microso😝🤥ciety.　*]🤒　%🤒The🤤🤣%; 🤥-🤥kn%😐ow😜🤑led😛🙂g🤩😔😙🙄e o🤔f empirica🤥😷l fa;cts remai😁😂ns 😁abst😐+rac%😋\😁😄t and s🤔)😍😇uperficial🙂🤔 as lon😛🤫, g as it i[$s+ not concretized b *y 🤕🙄😛its(),@: 😅😔i😃🙄😅🤢nt🤩$egratio😶😃n into 🤕🤩? the whol🤕/e ”😜[🙂😏` which a🤪🤪lon🙄e😐 #🤗 permits 😐🤩😇]?t🤑🤮+he supersession of😷😑 par🤤\t🤫😗🙂😃ia`😪😆;l an😴🤨🤭😷d abstract problems 😏😃so as t🤩🤩😑o arrive a🤮🤭😇😔t their conc^😃rete es=sence, and implicitly at their meaning.　　This.🤐[ group was on th😄e +😑🤕margins🤐/😂 of 😐the (ec😆😋 😍o@😋😅no😅my. It t😬🤪en!😇🤫😛ded😊# t=oward😁🙄 a role of pur$%e *😂+(co🤤`n😛_sumption, and 😶first of all t🤩he fr😄😘😅e😛😌e?_😜 consumption of its tim(😏🤗e😘😍😚. It🥰\😜🤥 thu🤕🥰s foun +😒\😂d itse😔🤫;😇lf😜 😷🤑 direct😀😆😄😁ly ?🤤 ?engaged 😗*i*🤐😐😔n q😆😪🤫ualitat$😃^i+ve 🤢😪/var😗🤒ia😊%$$ti😷o😛,😴ns of everyday life🤢 but depri🤗$🤣🤕ved of any😬 m🥰😀e😶+a🙂😏😑[ ns to i🤪🤢ntervene in th😁😐😑em.　　😔😂The gro🤣🤤up ran🤤😆ged^😗 ove;🤔r a very 😀small 😃area. T😆😐he sa😌me times b😀😃rought them back to the ;😀same places. No one 😊🤣went t;]😜o😬😀😘 bed e ^$[arly🤢😙😶]🤗. Dis😗🤤😐cussion on 😇😜
😴the meaning of all th?is 😆😉🙄continued...　　Voice 2 😇🥰😋Our lif !e\😛🤪🤫😝 is a😘😍 journey ” In the w[🤩🥰😂int😊🤤😋`
e😚r😶🤫😶  an🤐d the n🥰😴ight.😪😘😝[ ” We see😘😀 k our p:ass_😐😙age.😒🤮.🤕!.�/?*😜　　Voice 1)😃 Th-😂e😀/🤪😉! ab🤢🤩ando]😑n/🤔😗ed literature neve🤗😙😐🤨rtheless exer],+ted a 😗`😝delaying actio]😝n on 🤔 😔-new affe 😴c🤫🤗🤪tive.🤨🙂
formu:🤗🤑lations.　　Vo😚😙i 😴.ce 2 There 🤣😄]was] the🙄- fatigue and the cold o😗🤭(😬f the morning i😀😐n thi😀s m😬😀 uch-traver^ sed lab!😍yrin.t%😄🤨;h, lik🤗🤐😙🤑🤑e😴🤣 😪😂]an enig😙🤗🤤m😆a t;😂]hat we 🤒🤮had `to r😆😑#😁esolve😑😋. I 🤑😂t 😊 =*🤭was a (%]😒looki😘ng-glas$😴🤨😃s reality 😪😄 through which ^😏we ^🤒🥰had 😃🤐t^😬o d_!isc🤫😙over the potential 😍🤭🙃🤔ri😝(😶c🙃😇hne(%😋ss of 😑#real😁🤥it😗🤪🤥y😏😉😪.　😍$😝😛　On the bank of 😷 the rive🥰😪🤪r eveni🤫😍-@ng began *once again; an🤑*😏🤮d ca😔😜resse😋🤨🤤🥰(s; a🤗,nd the import.+🤩`ance of a wor😃ld with_😁😏out importan😏😀ce.`[ J😋🤥🤫ust as th🤨😪🤐e eyes have🤢😷?😔 a 😍🙂🤥blu`+=r😄😔🤑r;😐🤪🤮😂ed vision of many things🤥 and c 😪🤮an
🤕😁😉s🤒%:ee only one cl😂[early, so 🤒th😁=🤭e 😋😀`wil🤢😑😬🤣l can[😪 st🤫.-rive only in=,😊[🤫completely tow^🤤😜ar🤕🙄d🤔 # divers🤨e objects 😶😬and c😙😌😃😉_an completely love-🤑😘 o😏😶😗nl😏🙄y one at a time.　　Voice 3 🤕
 😙(young girl) 😑🤣No on😆🥰e ?). count🤢🤣😷ed on the futu😊re. It would never be possible😊;😊🙄 t!😁🤔🤨o be 🙃]🤗toget%😉;)*her @later, or anywhere else. There woul😶?d never 🤔be a 🥰=+greater free🙃/dom.　😝$%\　Voic🤗😌e 1😗)` The refusal of time and of growi😍😊)🤔😛ng old🤫😄$ 😀😂😐_autom😚?😉atically l.😂imited encounter🤐🤭s +-\in this na?😌rro😬😀w,🤢 continge$🤑😍nt zone🤔🤪😀, where 🤗*😪🥰wha😌/🤩t 😑!🤫 🤑w(as la😅😶cking wa😍s😔😑\ felt as irreparable. The😗]^ extreme 😍 😄p😑😌?🤮r,😙ecar😅😔🤗iousness of the 🤭means🤐 of gett🤕-😌ing by wit:😙😏🤩hout workin😏g was 😴:at the root )😁of this`😋🤩 i😊[/mpatience!😶)_ which m😑🤒🤐ade exc🙄🤤esses nece$\😄s🥰🤩_sary and 🤪🤢?br😋-eaks `🤗😝?de😬%fi🤮nitive.　　V!🤤😊😘oic 🤪e 2 🤩One nev😊 er 😑=😛really con🤪t🤨.ests an or😌😔😷🤮gani🤐😊🤕zation o😇f ex😋🙄 🙂i \😋😆😀stence wit*!hou😉t co
_🤮😃nt 🤮 esting all of that organization😐😁:]'s for,🤤😃ms ;😉o😴😘f :)🤨language.　🤭]😀😛　V;😗oi😐😶ce 1 When freedom😛🙂+😪😌 is🤣 p🙄😅😝ra😊😂😶`cti😃🙂c😀🤢🙃😀*ed in 🤗😊a close🤪`🤫d+` circle,#\ it fades🙃🤩 into😉 a\ dre 😄😜-am, 🤗-🙂becomes?🤔 a mere representation of itsel(:😏f. The🤔🙃😪🙄 a(😴mbi$`🤥ance of p 😶😙😂lay is by 😆.natu🙃-🤤^r@🤣e unstable. At any 😐]😛mo😙😂/ment 😍\🤔🤐🤨ordinary *[lif#?😇😊e� 🤒😄c#]an pr😬evail o==🙃nce 😜😙?$again. The😴😏😃$ `g🤥eo😐😃🤫🤫graphical l😗😍\%imitati🤨😇]on of pla😃😜 +y is 🤑)😅even more striking t😅🤒
😘han🤪 its 😴 te
mpora😒l limitation. Any g😅(🤢ame😛🤨😉 takes pl🤥$🙄😇ace$* within the contours of its,🤒😙 spatial domain. Arou🥰nd the neighbo😗]🤣🥰rhood, aroun-d its fleetin😛`)🤩g and thre🤫😉atened im\😛mobilit😗[😋;y, s😍;😐%tretched 🤢🥰😉 a hal🤨😔🤭f-known city where p😃🤫😷eople🤫🤮,🤨 me🤕🤗🤭😘t 😁🤢;🤢on]😇l😘-y by chance, $(losing the🤕
i🤭[😉?🤔r way forever.　　The gi\😏
-rls who fou😬🤔nd the?😊i😚r w😴/🤨,ay the😘🤩re, because t=🤫hey were l🙄😌😅eg😑%a,.lly u😉`😜nder the con)🤗trol of😄🤩 their 😊families🤨🤨 😜 un🤕!til the age of eighte🤮🤫🙃en😴😇🤗), we🤢😂😌re o.🥰ften re capt😀ur😑😴😘😂🤒ed by th 😌e defende😛😔(rs of that 🤢\de😗🤥🤒=😌t😇😆%\e)😊😂🤮😔st😘😌abl🤮🤭(😇😬e in🤮🙄😃😐s😬 #titution. T#h😪`ey were gene 😴😴rally conf🤤🤒🤗🤒i%?😃n*😜ed under( ,th]%😁e guard of those cre$🤕atures who among 😛😇😛all 🤨🤩😂the bad pro😊ducts😐,🤣 of a 😪)bad society 😘`😜ar[🤑😪e t😋^,he 🤒,[🤒mos😚😂t ugly a🤪nd repugnant nuns.　　W😏😬😀h🤢-🤭🤒at us😆ually m🤔🤔😶ak?😛es do😐😁)c+😁😁umentari🙄es so eas😊😉`y to under
😬stand is the🤢%🤪 arbi😷trary limitation 😒`🤮of th_]🙄🤕eir subject matter. They d🤨🥰escri🤭🙄😐b🤐😐😐e the🤔🥰🤣 atomizat+😃🙃😔ion o😝😀f social functions and the isolatio🤤$n of their _😝products. One can, in 😌😊[😐contras?😇😊t, envisage the entire complexit_@🤒y🤮: )of a 😔^😪_moment which is n🤒 😋/😃o😘😏t r]🤐esolved into a 😂😌🤥work,😛( a mome😌nt who🤒se movem😄😛%
ent indiss🙄😌😪olubly ?😆🤪contains fact🤔
s😂😅`😅 and value😜;s and whose m🤐eaning does 🙃😒.🤩n(😘o$😍.t yet ap
=pear. The😐😴😂 su🤤\😑bj😜.😒ect m\]-at😶,🤨ter of 🤒😚😜😅t🙂😁he) 🤫 documentary would th#🤮en ]:be thi=s 🤔😝😐confused:😶😂: 😑🤒🤮🤭🤗totality.　　V🤥oic🤤😷
e 2 The e%*r😊 a had arr🙄🙂😉ived at a level of 😁[😀knowledge😙😉🤕 and😊😑 +techn\.ical mea😌🤩ns th-😗a😒🤤t 😊=😑made possib😋😶😁🤣,le, _🥰😝and]🤤😴 incr😴 😐eas:🙄ingly n#😗😀😉ecessar?y, ^a🙂\🤥_ 😛:direct construction 😒😝of all aspects of a liberated😴😋😬🙂 a%😉🙄ffectiv🤩)e and🤨🤫😘 pr😬🤪act😑😇ic😆🤤*al ex^istence. 🤨😍😃The appe]😏a r😃😝a😍#🤥😊+n$😅🤒ce 😪😝🤗of the+🤪😍se supe;😛rior means 🤒=😶of😀: act😶i😀)on,🤕) s🙄-+till😄🤭 unuse😏d be😘🤨cause of the delay😘😘,s;😇😴 i😌n th🙂🤩e project @--?of
😀 li😇🤒🤒🤫q+^`uidating the co🤫😀😐mmodit😚🤢🤪y!😴 econ 😗o🤩my, had al🤕=ready condem%;ned aesthetic+# a😪🤑😐ctivity, who=😗se ambitions+  and powers we😘\!😅re b😅`o😉😙th 😉ou/😌/tdated.= The decay🤢🤗 of art and !+ of all the va@😶
l^😝🤮\🤐u]😒😚😄e s of f#=ormer mores h😏:ad formed our socio🤣😛😉logica\🤗l b🙃)ackground.;😶* The🤤😔 ruling 🙂😐🤮😁,c😅😘lass's🥰 mono/😍;p😐+🤕@oly over😘😚😀😬 the instruments we needed to cont🤔-ro😌🤭😁l in order )🤤t
😶😀o real🤪😅ize the coll,_e😝.\ctive art😬) of our time ha😜😝d😉[, excluded us😔🤫 fro🙂😋🤕m a cultural p😉🤨[roducti 😄😛,+on of,😃😊fi🤢😄(cially/🤥😘 d😇😋🤔😑evoted to illu!😚st😘😴\^r😄🤨😃😙ati🤫😶ng an😛🤒d repe😀😐😙ating the past😀\. 🤫😐An 😗art film on 😀;😉this generatio😙😏 n can 🤗🙄:🤪:onl,🤒😏😔y-😁😝/ be a film o 🤨)😜n i🤥😗/ts abs 😏ence _😋of real cr😘😍🤔🤔🤭eations.　　E🤢🤩veryone unthinkin)(😐\g🤣🤪];ly f🙄😍😶😆ollowed the🤗😇😉 paths le^!+arned😷.🤢 once🤢😂 a😁🤢😉😐😒nd for all, 🙂🤑😄=to their wo😇 😄r;🤑k and thei🤤😃;r h🤫😋😬ome,😇🥰*🤮 to🤩🤪 their 😔!pred#ictable futu🤣😏😴re. F😒=😚or 🤥/😛 them 😍😔]duty🤤😌- had already bec🤣-ome😁=: a ^+habit,😛. and h🙂abit a duty.. Th🙄😷(=ey did not s🤭😏😐ee /=//the d🤫😝😐 eficiency of the,)🥰$ir city. They thought th%[[e defici😂\🤢ency o😷😊f thei*/😌😪r 😁😝l😘😙[😁i🤭*%f_:e was n🤪😄at
/😂ural,😀
..😶🤣😄 We🤣😀?🤮 wa😋🤒nted to break out of this `🤒]c😋😙😶ondition🥰🤮🤨%ing, in q🤕🤕😇😝uest of 🙃 anot
he]r use of🤢)🤒🤐 the urban landsc😶😗ape🙃😄😷😍🤢, in quest of new😋; passion😝😅s. Th🤮e at#-😶m!(;😝osphere of a few:+ pl+`😆ac*🙄es @-🤑😔gave us intimations of th🤤🤨e 🙂fu😶
😏ture powers of an architectu🤒😔re it😅🤫 would be😒🤔 necess😉ary to c reate to be th😐😛e😷🙂😜 s😁😛u\😒🤪;pp😄😐ort
_😇( and fr😑%😙amework fo🤫😀😂😍(r l😙.ess😚🥰 mediocre= games. We🤣😗@ could😙🤒 ,-exp😬🙂e😀%🙂🤨🙃ct nothing😍 of🙂^ anythin🤐g we ha😙!d not our.^selves al`$tered. The urb🤐🤒an en😃😁vironment pr?😬ocl😪🤕;🤩aime😙🤮😜d the 🤭orders😌😗 and 🙄.\ tas🤤😑🤫😏😘t😐`$e🤩😜😘s of*😇 the r😙😂uling societ😄y just! as violent$🤐🤫%ly as]🤣 the n🤢😊😆ewspaper😘?s. It 🤮)$is😔😷\ m+an who 😀😌😚makes @!😂 😆@the u😘😄🤮nity [😚😴o*f the world, b🤫😜😗u😜=🤔t🤮😂😁 man h🤣 😀😁as exte[\nded himself everywhere. People can see nothi=😴n 🙂g🤒🙂 ar😃]😘:ound 😗%$😇them th😌😏at i😝🤤😝s #(]no%_😒t 😍their o$🤗😬🤫wn im🙄:\age😆; 😷 everything speaks to th🙃😗!em of t🤑hemselve$ s.-😑😘😉, Their very
landsca[🤢@pe 🤗^🙃😪is alive. There 😅😒were `:]ob😄🤢🤢sta😜🤮🤭cle#😜🤭s 🤤😶every😑where.🤔😁🤔 \😒.The+😅re w😅+as[ 😔😴 a cohesio\😒,%n i.n t[😙he 😁😆😇ob🙃?😂(stacles of all types. They maint🤮+$ain🤑😑😪e )/🤑 d the coheren-😙t reign of poverty. Eve🤕
😙*😙rythi#^😃n🤗😒g😴😂😅 bei@🤐😄ng connected, it was 🙂^necessary🙃🙂 to🤔🤣😊,_ change ev😏🤤e//ryth;_ing by a)😝 🤨@ unitary\😴😪 strug😍🤤😛gle_, or nothing. It w😴😝a?🥰😬s necessary to lin😆!k up. with the masses,😋😚😇🙄 but we wer
😍😄😚e😑😆)! surrounde😊🤢%d by sleep🤔🤐😂;.　　Voice 3 T 😴🤕he 😇😙😂dictators🤪)🤗hip of 😪😁the pro+😌#l-@[😇etari😇😜@a😗😒😋😅]t is a despe😑rate struggle, blood🤫😏y a😍😪n😍d?😇 🤗 bloodless, viole/🤗nt a🤨😚😬😃nd pe😃😗😬😗ace🤗🤢-(ful, militar😚😊🙃y and😐😅😅 economi🤩😁🤥c, educa😅😁tional 🤗%🙂😜an,=d a😐😛🤩dmi😍 nis🤒🙃tra🤕🤕tive, against th🤤😝😀e 😊🤕@forces and tra;(`dition😛+!😴s of the old #😪😁🤤😙wo😃-😏rld.　　Voice [😁😷?1 )😝I😌😘😆n t🤫🥰h:is co😍🤗 🤩😶untry it is o🙄😂n😗🙂ce aga%+🤗in th🤫#
e men ;!😜😏of order🙂@😀 who have re🙃😑belled. They have reinforced their power.😄😆🤣 They😇-( have been able to ag😛gravate the😙😙 grotesqu🤪/🤤😁enes 🤥s o🤑f the ruli:😃ng conditio😔😔n.🤫😒s 🤩ac🥰😑😶😉cord😉🤨🙃+😌i🙃^😔n😐%g to😊 t🤪heir w😃🤪ill. Th[.😆ey have em😚\bell🤕😊ished their system w🤔/🤕ith +the f😃😄😛unerea🤒l c🤢😚🙄😗😪e🙃😃remonie🤢]?s😍😌🤢 of the😛 pa🤢😝🙂s,😚😌😅😑t 
.+`😪*　　Voice😋😊^🥰 2 Yea/😂🤑😄rs, li🙂😚🤤*ke 🙂😍[a s?ingl;(e 😂\😐insta+@🤤nt]😴@😅 pr😘-!%olo😍n😷(ge+😆d to this point= 🤩, c,🙂@ome to an en😅😄%d.🤒😆🥰😗`　　🥰🤮Vo^ice 1 !  What was 🤕🙃😐 directly$🙄 🤭@😉 li🥰🤥ve(😊🤫😁-d rea
🤥😝ppea*$:r#s froz]#en in😛 the d😑😉😷istanc😚(e, fit int😜/o the😂🙄,🤐 ta;🤕stes and illusi😂😷o🤨ns of a😘n era, car🤨*🙄`rie🤭d away with it.　　Voice 2 The a-
🤨:ppearance of🤑😍 eve😴😬[😛nts th! at we ha 🤗🤗😍ve not made, tha😛😇t ot😬hers have made 😏 agains😚😅😬😪🤪t u😶😶😊😜s, 🤔:now obli%😇ges us to 🤭😆be awa😘🤣re🤑🤭+ 🤔of the pass-😷-a@😂g😋e of tim😚😁-e, it😴🤗🤐s results, t😴🤒😝he😃😋 transf🤭😛ormation🤐😗 of our ow😃🤪[😶 n desires 😊😂😬🤥into .😴,😜\even🤪t😗s.`! What di🤨ff😏🤕😶e😶=re@😑ntia😀🤕🤪tes the p
🤗.ast fr🤕😂o🤐🤮🤑m the pr😴?😛e🤕(sent%😷 i🙃😪😍s precisel🙄y its ou_\t-of-reach 😄,😄😝objectivity;🤮??😇 there is n🤣😂 @o more should-be; being is so consumed that it has c😘*🤐ease🤕🤢😔d to😑🤫🤤-🤣 exist. !The details are already lost] in the🙄😂 d🤩😪!us🙃)😇😷t of time🤗😛🤗.;🤩 W😚🤗😃ho 😔was afrai😷😒;d 🤩
🤣,of life, afraid of 😃😪 😷😑😃the night, 🙃!😀`😉afraid`)🤤 of being take🤒n, afraid of being kept　　Voi🤒🤥ce [3 What should be abo🥰lished😐😑😏 contin!!ues, 🙂
and w🙄\*e😴🤑🤢 continue to😙😶 wear away with😌🤥😷 i\=🤗😇t. We 😚+🤒are eng😚🤔ulfed. We-;^ are separated. The ye-)ars 😋p😜😄ass and we haven't changed an:😂😌🙄ything.　　Voice 2 On🤒ce ($aga😃,i?n morning in t@😝he sam!e streets. 🤥😁🤫O😛🙃(nce aga😗in 🤭😚the
😙[\fat: ?🙄=igue);+$😁 😗🤪😒of so_$@😛: many s_%🥰imilarly 🤫]🤫pa😃(🤣sse@!😁d night😶😉🤒s.😃🥰 It😗). is a wa🤥=l😊🙄k that has l🤩🤮a😘🤫
^sted\ a l😍ong time.　　Voi🤕$😷ce 1 Really ha🤒r🤥😃d to dr😜🤗ink🤑(\ more.　　Voice 😒😀2🤥 🤗 Of?? course one[🤮  might m😅🤤# 😚ake a 😂[film of it. But ev😀🤢*en i😏🙂^🥰f such a fil_m ?succeeds in 🤒😒being as fu nda😋$😪😔m*😒🤑😛e ntally disconn 😛😘😇ecte,😏d😍 and unsatis😐🤫fying as 😝)the🤪😋😀 reality it deals 🤮😄w)🤨it;😒😌🤒=h, i😛t🤗 will neve😄😋r be more th? 😜
an a r🤐🤭!🤩e-*crea😄😋tion ”: poor and false l😀@😛[ike this botched tr 😪 😁aveling shot.　　Voic[e 3 There a🤑🥰re now pe\+o🙄ple wh🤐)😶🤢o pride themselves 😅😬on bein🤑g(🤤- authors of films, as others w😴🤔e,]😜😚re a,uth^🥰😛😘ors of n-😜😆😝ovels. They are 😄😃🤫😁even 🙃😷😇more 🙄🤭🤐backward😔#🤥😚 t🤑😔han 😙)t🤭😗😇he novelists because t🤪😪hey a🤨/😙re unaware@ of th🙂😗e dec#🤥🤭ompo @😂siti%,🤥on😑🤥🤩 and exhaustion of i🙄🤣😑😚.ndivi😏😁dual🙄 expr😙es😃#sion 😀🙂`!🤒i]😔😇n our time[🤥🤢🙃, 🙃+😴😊ig 😋🤨no 😊rant of😑😊 ==🤑😁the😷@🤗😊 end of+ 🤮 th😁🤮e arts 😛$of😚🤫 p@_
assivity😄😆. Th^🤪_!ey are🤒 praised f😴or their sincer🤨!ity since%😁😑% the?🙂🤪y dramatize, with mo😗😴.re personal depth,🤭🤗 th_/e conventions of whic-@😗h their life consi🤮s😀:😀ts. The😅😪🙄😙re)😌 is talk of the li😃%bera😐😉tion of😷😛 the cine🤫ma. But what doe😉😂s it m😝🙃atter to us if one mo😔*re🤥 🤨🙂🤭😇-art is li🤔🤪🙄b🤢]😛erated thro😷😒🤥🥰ugh which To?+😪m, 😂😚Dick or Harry ca(🤥n joyously e(😷🤑xpre🤮$🤪*😪ss th🤩🤤eir s🙂😪😌lavish\😒😝 sentiments The onl😗(😉y interesting ventur🤔🤪e i😏😬😔#s 😜😏🤨😬the [😪liberation of🤕% eve😏r😊yday l🤣\)😴;if`@-*e🤭😌😄, n🙄🙄🤔ot 😉o😪😙nly in t😏.?h \-🤥e 🤒perspectives 😍of history but= f😛😛or us and right away. Thi😜😆 s 🤣🤒🤑ent.🥰^ai 😁🤑$ls the with(😍e🤔-rin😁😶g😝\😬] away of` alie 🥰😍nated forms [of😗 🤭/co*mmunicat😒🤐:
ion. Th😏😄?e 🤑🤨#]cinema, too,🤔 has to be destroy🤒ed.　　Voice 2😌😐!🤒 In *😪🤤😏the f😇😴🤢i🤑🤐=nal analysis, stars 😒🤫😚-are cre😂😌😴ated 🤩$😛by the n😒/😒eed we have 😪(f🙂,😝😂or them, and🤨😀 🤢😂😬not b😔😗😄😁y their ta*
lent or l
😂😂=🤒ack;🤨 of talen😝_😬t or^.+ even by😷😗🤨 )😏😑🤪t😶?😴😜he f😪😷😃🤢ilm ind😍ustry or adv😁 ertising., Mi😑serab🤑🤣le ne😇😘e😀_]😶d 🤤🤐🤣, dismal,🙂🙄 anonymous😙=🤔 l🤐_ [,if+🤐😛🤔e tha😄.t would like to ex[🤗pand😊🤪 i[ts#elf 🤕😑🤐to ?the😃^?$ dimens% 🤥i`%🙂ons of cinema life. The im,😴🤢?aginary lif😛🤩😉🤕e on😗 th🤒e😋) screen is the produ😅😶😛ct of this real 🤐😚need. The star is the proj=😚😛,ect/ion 😀🤤of th🤢😇🙃is need.　　The images 😛)]of th🤢😝🤨e^- a😪,😉🤗dverti🙂😁😇s😪😗 ements?😅😛 during🤭😐( the*\^🤕 intermis\🤮😒s😌😶io🤗😏ns]🤭 are more suited th😇!an a🙂)🤒n🥰😚y oth😙-er😏😴😐😊🤨s fo😍😪😍🤤🤑r evokin-$🙄g an intermission o😬🙄f life.　　To really 🤒 describe this era it would no doubt%🤩 be ne🤒:😒ce;😏🙂ssary to@+😃 show many 😃😙😐o!🤗] ther thi,😍ngs. Bu(😙t what would b🤑😀e 😙🤔🙃😐the point　　Better🤫🤢 to😀 gra,😬sp the tot:ality 😐of what😬😜 has b😉😶🤨_🤩een don🙄`😌🤒e a🤕🤩n😁😷d what remai🤫ns to be done t🙃😍han to add mor.😄🙄e rui ns to the old wo🤨😆r$;😍l*😌;d🤫😄 of th🤨,🤢e spec😘tacle _🤮😊and of😅😄^ m-[e🤤mo😀;rie🤮s🤪@😊.　　1. This film,( w`😇😴hich)😜🙂😉🤥 evokes the let😏😔🤫🙃trist e😃x🤩🤕🤔pe._`😀r 😜iences at the
🙃* origin 😋😗of 😅🥰the si 🤤😝tuatio😁nis🙃:t mo* vement, opens #🤗with shots o-?🤨f 😚😇the Paris 🤪=`🤣district freq🤑😑🤒ue(😗$🙂n😪🤑ted by the lett😴🤩🤒rists i%- n 🤥😚the ea🤔r/😍@😒😏ly .😂🥰😷😆1950s.